Houston-born artist Oran Juice Jones II is making waves with his latest album, Ready 2 Live, a soulful R&B-infused project that dares to question the integrity of modern hip-hop trends. As a partner at Esclave, Jones has carved out a lane of his own, blending smooth melodies with thought-provoking themes that challenge the genre’s obsession with wealth and status.
Featuring an impressive lineup of collaborators—including Charles & Jermaine Paul, Anhayla, Ellis Dodi, Justin Kim, and Kelly Fragle—Ready 2 Live goes beyond catchy hooks and radio-friendly beats. It serves as a bold commentary on hip-hop’s evolving identity and the pressures that young artists face in an era of excess.
One standout track, “I Gotta Show Them Money,” explores the complex mindset that many in hip-hop grapple with—the need to prove financial success to earn credibility. In a culture where aspiring artists chase the legendary wealth of moguls like Jay-Z, Jones offers an alternative perspective: happiness and self-worth shouldn’t be dictated by income.
Another highlight, “100 Monkeys,” takes a philosophical turn, questioning the very nature of identity. Who are we? Why are we here? These are the questions Jones poses, pushing listeners to reflect beyond the surface-level bravado that often dominates the genre.
At its core, Ready 2 Live rejects the outdated notion that wealth equates to artistic or personal value. By fusing soulful instrumentation with deep introspection, Oran Juice Jones II is paving the way for a new wave of hip-hop—one that prioritizes authenticity over appearances.
For fans seeking music with substance, Ready 2 Live is more than just an album—it’s a statement.
Natalia is a Rap and Hip Hop enthusiast. After graduating from The New School of New York’s Public Relations Program and taking a course in Journalism at Michigan State University, she decided to dedicate her life to the music publishing business and to the discovery of new talent. She helps new artists gain exposure to the masses via online marketing and publications.