Take a listen to Shaun Milli’s newest music if you like Hip-hop and R&B. You may hear and
watch “Love Me” on YouTube:
When Shaun Milli belts out, “I ain’t got that much time left,” it’s clear that he was born to sing.
Despite this, his voice is not overwhelming in tone.
His high notes, particularly in the first line, “I guess I should move to the left,” are perfectly
executed. Immediately upon hearing “Love me,” it becomes clear that this musician has crafted
a piece of art that puts him beyond the majority of other musicians working today.
The world is ready, in my opinion, for such a talented vocalist and songwriter.
The piano melody, percussion, bass, and electric guitar are superb accompaniments to Shaun’s
voice. Mastering and mixing are superb.
Roy’s Work This song was enhanced as a result of it (who just produced Yk Osiris’s new single
called Be, My Girl, with Polow Da Don). In a world where music is full of toxins and shallowness.
It’s refreshing to listen to music like this regularly. I love the song and the music video (see
above).
These old-school videos and songs bring us back to a time when men were more concerned
with impressing women than treating them like trash. Other artists want to have Shaun Milli’s
panache and refinement.
A journey you didn’t know you needed is taken by this artist. There is no doubt in my mind that
Shaun Millie will soon replace other Shaun musicians. My only advice is to check out Shaun
Milli`s new track “Love Me” and keep up with him online. Links to the official site:
TikTok: https://www.tiktok.com/@shaunmilli
IG: https://www.instagram.com/shaunmilli_/
Spotify: https://open.spotify.com/artist/1e8UewEEe0Oo7CxwVC4Y04?si=TEmSgakrQfuJfomK8nmD7A
Soundcloud: https://soundcloud.com/shaunmill
Hulda Hicks was born in Brooklyn, NY in the late ’70s, at the time when Hip-Hop music was just emerging as an art form. Her entire life was influenced by the culture, having grown up in the epicenter of the creative movement.
As a trained musician and vocalist, Hulda got exposed to the industry in her twenties and has worked on projects with iconic figures such as the Chiffons, the Last Poets, and Montell Jordan, to name a few. Her passion for music extended past the stage on to the page when she began to write ad copy and articles as a freelancer for several underground publications.
A written review from “Jubilee Huldafire” is as authentic as it gets, hailing from one creative mind that has a unique voice, on paper and in person.
